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I use UADвЂ™s Helios and Pultec EQ, and several other VST EQ, when I want that specific tone.No-I actually go to EQs for pretty much the exact same reason as you seem to use them: for вЂњSurgeryвЂќ as you aptly put it. Sounds to me that youвЂ™re looking for more coloration or personality from your EQ. Having a good transient processor is one of the most necessary tools in a producer's kit as being able to shape the transient can really free up your ability to mix your track effectively.

(I never bought the UAD ones thoughвЂ“got to pick and choose, unfortunately).I definitely recommend, for вЂњpersonalityвЂќ EQ, the Pultec. The Cambridge EQs are great. But I used Cambridge because of itвЂ™s sound quality,Yeah, man. And all those UAD EQs are running special algorithms to emulate non-linear effects of hardware EQs, i.e., вЂњPersonality,вЂќ вЂњsaturation,вЂќ harmonics, etc.I just got into the habit of using Cambridge as my вЂњScalpelвЂќ (havenвЂ™t touched Pultec in years-though it would probably be good to use it). Just trying to guess why you felt CubaseвЂ™s EQ was so bad, in your opinion.I only mentioned вЂњpersonalityвЂќ 'cos you said UAD were so much вЂњbetterвЂќ than CubaseвЂ™s EQ.

However for more in-depth work I use a range of different eqвЂ™s as some are better suited for certain tasks than others. ThatвЂ™s about all I could give ya!.Maybe take a day and only allow yourself to use CubaseвЂ™s EQ and see how that turns out for you?The Cubase eqвЂ™s are good for general stuff. Cubase EQ is accurate-but-bland, and itвЂ™s free. So itвЂ™s impossible to say that CubaseвЂ™s EQ can compare to it. CubaseвЂ™s track EQ is pretty vanilla, whereas Cambridge is a fuller product thatвЂ™s running some special algorithms under the hood to intentionally colour the sound. As long as theyвЂ™re programmed tightly, math is math!So might as well use one thatвЂ™s pretty much free for CPU.And IвЂ™d be up for switching all my вЂњSurgeryвЂќ to CubaseLand, as long as the native EQs were on a par with Cambridge.In some ways, itвЂ™s apples-to-oranges.

That still doesnвЂ™t make it an EQ though.By the way, I see you have the 1073 EQ. Though I do agree that it shapes the tone of a track by imparting a certain tone to it, you could pretty much say the same about any other character compressor. I would also say the same of compressors.You put an LA2A as an EQ.

The air thing that happens with the upper frequencies is quite magical at times. Try and pick up a Maag EQ4. Which by the way is considerably cheaper. I was not so keen on the new version.I donвЂ™t think it is as good as the SonEQ from Sonimus. Then again, I did say I only use FabFilter and UAD EQвЂ™s ).Your are quite right - of course the LA2A is a compressor - what was I thinking?My 1073 is the legacy version.

IвЂ™m able to compose, mix and master all in the same project. This is where the UAD, and similar platforms, shines as it frees your system resources for other processing. But, even with computers getting more powerful, the native plugins that do sound good are huge CPU hogs. Yes, the plugins are expensive, which is why I always wait until thereвЂ™s a sale going on. Plus the worry about the hardware being superceded.Thanks for the advise! IвЂ™ll give the Maag EQ4 a try.I agree with you regarding UAD.